Leave the door open for the unknown, the door into the dark | Rebecca Solnit, A Field Guide to Getting Lost
Showing posts with label bus. Show all posts
Showing posts with label bus. Show all posts

Friday, August 5, 2016

Patagonian Road: In Print!

It's official, dear readers!

PATAGONIAN ROAD is due to hit presses in the spring of 2017, with a soft release in February and an official, real-deal, bigtime release in April! Thanks to Andrew Gifford at the Santa Fe Writers Project for believing in this project.

While you await my pages, do feast your eyes upon the preliminary cover, as well as the tantalizing copy that we hope will lure in readers near and far.

Thanks for the years of support, dear readers. It's finally happening!

Spanning four seasons, ten countries, three teaching jobs, and countless buses, Patagonian Road: A Year Alone Through Latin America chronicles Kate McCahill’s solo journey from Guatemala to Argentina. In her struggles with language, romance, culture, service, and homesickness, she personifies a growing culture of women for whom travel is not a path to love but a route to meaningful work, rare inspiration, and profound self-discovery.
Following the route Paul Theroux outlined in his 1979 travelogue, The Old Patagonian Express, McCahill transports the reader from a classroom in a rugged Quito barrio to a dingy rented room in an El Salvadorian brothel, and from the storied neighborhoods of Buenos Aires to the heights the Peruvian Andes.
A testament to courage, solitude, and the rewards of taking risks, Patagonian Road proves that discovery, clarity, and simplicity remain possible in the 21st century, and that travel holds an enduring capacity to transform.
“McCahill is a blues traveler, singing for citizens of the world who have no public voice. She depicts beauty within despair, allowing us to hear a comforting melody in an unsettling breeze and see the gorgeous colors within a bruise. If a feeling of loneliness pervades her essays, so do feelings of wonder and pleasure. It’s simply impossible not to share her joyful and frequently bewildering sensations of travel.”
— Sascha Feinstein, author of Black Pearls




Thursday, August 11, 2011

The Last Bus


Tonight is the last of them. The last of them for a while, at least—the last of these solitary nights. Today was the last arrival, the last lonely arrival in a new city. These are the final hours of navigating, days marked by disorientating street maps and spoken directions, however good intentioned, that I always only halfway understand. The tumble of accents, the stretches of streetside markets, the noonday sun and the search to find somewhere to sleep. These arrivals, always different and yet somehow identical, have shaped my routine. First there’s the way a city comes to me through the bus window: the suburbs, then closer clusters of buildings, then factories, parking lots, and finally the station. Always, too, there’s the feeling of not wanting to disembark after the bus has pulled to a shuddering stop, for however long the ride takes, there’s always, afterwards, the familiar comfort of that journey. It's the intangible landscape sweeping by, and how foreign afterwards stillness feels.

And so today was the last of the unknown arrivals, because tomorrow I go to Buenos Aires. I have the address of Donigan’s apartment written down in the little green notepad I’ve had since the beginning; by now, it’s nearly filled with scribbled directions and the email addresses of people I’ve met since Xela. I have a bed, Donigan said, a bed with fresh sheets and, in the fridge, empanadas and salad waiting for us. I have a city that I’ll go to, a city that will hold me for weeks—months, if my money holds out. I see an end to these constant buses, this neverending line of hostels with shared bathrooms, flip-flops in the shower, hasty breakfasts and lonely dinners of rice and stirfry—the frugal traveler's meal.

So why is it, then, that I'm at the brink of weeping? Why is it that I feel like something's over - is it just this Rosario night? Could it be this high-up stone balcony, washed in curls of winter ivy? Could it be the spattering fountain and the curved patterns of the cobblestones in the plaza below? Is it the wide river in sunset, or the lovely, anonymous dinners? Is it sleeping and waking when I want to, and could it be the other, lonely travelers who drink in my conversation like they, too, are dying of the same thirst? Could it be the silent peaks, the silent fields? Is it this sweetness that could not taste this way were it not flecked with sadness? Is it all the cities I have known, but just a little?

Or could it be that each time I reach somewhere new, I fall in love just a little bit more? It’s each place I visit that makes me miss this trip already. It’s the alleys I walk past, the fruit for sale on the sidewalk, the way the days grow just a little longer the farther south I get. It’s the passing over, the constant crossing of lines on the map, and so for this, this, it is the end. But it’s not over, I’m thinking now, and tomorrow I’ll meet a man I’ve never seen but already hold as a friend. I’ll come to Buenos Aires—a magical place, as my mother described it last night—that I’ve dreamed of reaching for so many months. Tomorrow I’ll climb on the bus, the same bus, you could say, that I’ve taken for so many miles already, and I’ll watch out the window and wait for the city to come to me again. First the suburbs, then the clusters of buildings, the factories and finally the station. Will I want to get off, when the bus finally stops? Maybe this time, I wonder, because there's someone waiting, I will. 

Tuesday, August 9, 2011

Another Country's Windows

I haven’t been this cold in months, I think. I wait for the 4 AM bus to leave Tupiza for Villazon, the border town where I’ll get my passport stamped and then enter Argentina. I’m freezing, I hear the girl in front of me whisper to her boyfriend. They are English, I can tell from their accents, and I envy them for the way they curl up together in their seats, sharing a blanket. I pull my jacket closer around me and wish for my hat, my second jacket, a cup of hot tea. Finally, half an hour late, we pull out of the station, southbound. The driver flicks the interior lights on in the inky blackness and blasts the radio, shouting to his ayudante as he goes. I close my eyes and try to sleep, hating him.

Villazon remains the cold, gray town Paul described. The buildings, set evenly along the icy, silent, early-morning streets, loom around me, the dark windows blank eyes that watch me shiver past. The sidewalks are broken by spindly, leafless trees, and the gray sky hangs low. An Australian girl emerged, teeth chattering, from the Tupiza bus, and so we walk together without speaking towards Argentina, sucking on caramels I bought from the bathroom guard with my last three Bolivianos. The border is marked by a long bridge and a sign that reads, in antique white lettering, Bolivia. When I turn and look back, I see that the other side reads Argentina. Just like that, we’re in. I take one last look at Bolivia, and then I am weeping in the cold. 

Good-bye, I am thinking, to the country with stretching deserts and bare hills, women with wheels of cheese in the streets, and those colors of the satchels and clothing. The long braids woven with yarn, the jolting roads, the clusters of mud huts and the spindly smoke of fires fruit-scented roadside fires. The alpaca, the freezing showers, the broken sidewalks. The way I felt, traveling through, like some kind of vagabond in the same three-day clothes, the only gringa in the lurching bus. The freedom of that, the sweet alone-ness. Already, people who look like me, with big packs and light skin, stand around outside the customs office, and I know with a dull and sudden ache that something's over. It's not just Bolivia; it's the last eight months of these places that exist so poor and wealthy both. It's a way of life I made, a way of navigating, and now, as I step over the line that divides that time from this, I feel a little something deep inside me tear. It's over, I am thinking, even though there's still so far to go. Something's lost, I know. I didn't expect this sharp and funny grief, but now I wonder how I didn't see it coming, for with each step forward I move closer and closer back: glass-paned stores, smooth paved roads, new clothes, rich food and the wanting. The taking things for granted, and the ease. Are you okay? The Australian girl asks, and I nod. It’s just the cold, I tell her, and brush the tears away.

*

It’s a spectacular ride from the border south, different enough to make me wonder whether the line on the map that divides the two countries is a real geographical divide. I lean back in my seat beside the Australian girl and admire the clean bus, the soft seats, the view from the second level of this double decker. The road feels so smooth beneath us, and the scenery—golden fields, distant mountains, the rainbow colors of the rocks and the blue sky of morning—keeps us silent, looking out. I could get used to this, I say, and then the bus shudders to a stop. I imagine a rest stop, even though we’ve only driven two hours, and then the driver comes down the aisle. He says something I can’t understand, something in the Argentinian accent that crushes the words, merges them together, creating a smooth and unrecognizable sound. He rounds up a couple of guys, and the next thing I know I feel them pushing the bus so that we roll forward, the engine off. Eventually, the bus rumbles to life, the guys come back on, flushed and laughing, and off we go. So much for the nice buses, the Australian girl says, grinning. We remember aloud the rickety buses that took us through Bolivia, the ones with the rattling windows and open grates, and marvel at the way those got us to where we needed to go without ever failing us.

*

I spend my first Argentinean night in Jujuy, a warm, valley city that Paul admired. I stroll up and down its sun-baked streets lined with tall, elegant doorways, the soft colors of the paint on the aging colonial walls, and the cafes that stay open all day and most of the night, serving real coffee with milk. I eat and eat of the spinach quiche that the woman sells in the deli beside my hostel, and I spent long minutes before her shelves of wine, eventually selecting a bottle that costs just three dollars and tastes, when I share it later with the old woman who runs my hostel, like liquid heaven and smells like pine and apples. In the night, the air is soft, and I sleep fully and long; it’s warm enough for just a sheet. The shower in the morning is hot, steaming up the white-tiled bathroom as the sunshine floods in. Que rico, I think as the water pours over me, and I don’t feel sad to be in Argentina, after all. Donigan was right; it does take just a day to forget how sweet a hot shower, or a slice of hot quiche, or a glass of white wine can taste. I feel guilty for how quickly I adjust.

On the ride to Salta the next day, I discover that I’ve learned to sleep, finally, on buses, and I close my eyes to the warm afternoon light and the baking fields of corn and grazing horses. I’m so sleepy, in fact, that when the driver wakes me up to see my ticket, I hand him a baggage slip from a bus ride to Sucre instead, then frown when he kindly shakes his head and passes it back.

In Salta, I find a hostel at the end of a whitewashed block south of the center, which is painted inside and out with every imaginable color. A gray cat lives here, a cat who sleeps on my bed by night and races up and down the stairs, over the connecting roofs, by day. The owners, a twenty-something couple with baggy pants and loose, curly hair, pour me a glass of wine on the first night and then sing together while a guest from Cordoba strums his guitar. I find, too, a market like the ones I found in Bolivia and every other place, a market with tiled counters where ladies serve up soup and plates of egg and pork and salad, juices of banana and orange and carrot. I see the manta of the indigenous everywhere, and the same braids woven with yarn. I am not so far, I discover, from the countries where I found something special and fell in love. Here, too, I can sit on the curb and drink soup from a bag, and I can wear the same clothes for three days in a row, as the Argentinian owner of my hostel does. I have not lost the freedom, I discover, that I felt in those freezing, high-up countries. It's the Latin, after all, that I've been living, and it just tastes different here. On these shadowed streets it's smoother, now painted with long Spanish windows, the shades halfway drawn to mute the sun. 

Thursday, July 7, 2011

Driving Through

And, because I've spent countless hours on buses in the last week or so, here is a series I like to call "Peru's Many Faces, As Seen From the Window of a Bus." Hopefully these will reveal to you how dynamic the landscape is here, and how sharply it can change. It's beautiful and raw, often achingly poor but forever shifting.

Love, Kate

It's desert all the way down the coast, from Piura to Lima:


Then mountains and adobe pueblos from Lima to Huancayo:




And these are for my pa:



Then it's farms and floodplains and cacti and distant mountains into Huancayo:


And, interspersed, there was much standing around in remote and beautiful rest stops.


Missing you all, and loving Peru. Besitos!

Wednesday, February 9, 2011

Saying Good-Bye to Guatemala

Good-bye to the place that taught me my first words of Spanish. Good-bye to the music on those buses, the cramped seats, the teetery routes, because two days in El Salvador have taught me that no bus is quite like a Guatemalan one. Good-bye to those microbuses and to the little children that quietly get sick in bags as the roads wind and dip. Good-bye to those mountain ranges, those blue peaks that stretch all the way to Mexico, and good-bye to the black Monterrico beach, the one that's littered with trash but beautiful nevertheless. Good-bye to the volcanic rocks scattered everywhere, the climate that grows colder and colder the higher you get, and good-bye to the eucalyptus trees, the alpine palm trees, the sapodillas, the ceibas, the cedars, the acacias. Good-bye to the flowers. Good-bye to those 62 stoves we built in Uspantan, those Mayan ladies in their traje, Hilary's apartment with its deep blue pila and good-bye to her sweet cat, Suerte. Good-bye to the lake, the deep Lake Atitlan with her ring of volcanoes around her. Good-bye to her waves, and the room that we had, that high-up room with the view of the fireworks on New Years, the fireworks that went off like brilliant dots, now in San Pedro, now in San Marcos. Good-bye to the orchids that hung in the bathroom; good-bye to that wide, white bed; good-bye to the sickness, the recovery, the market in Chichicastenango, that journey with you. Good-bye to the love that Guatemala gave, the love that I found, in so many corners, so many forests, so many different rooms. Good-bye to the hugs, the patience with my Spanish, the kisses on the cheek, the gifts of food, the gifts of juice, Norma's house in Xela, the dark, quiet streets at night, the dogs that come out when it gets dark. Good-bye, good-bye, and thank you for everything. I love you, Guate.


Tuesday, January 25, 2011

Tres Camionetas

Pray for me, friends. Tomorrow I must take three chicken buses - camionetas - to Uspantan, where I will see for myself the homeland of Rigoberta Menchu and, more importantly, celebrate the lovely Hilary Kilpatric's birthday. Hilary is one year into her Peace Corps assignment there, and I can't wait to see where she works, what she does, and how she lives. I'll do my best to write reports during my two-ish weeks there, but I'm not sure how the internet will be. Nevertheless, in the meantime, think kindly of me whilst I'm riding one of these:

They're called chicken buses because, allegedly, you can bring anything on board, including your chickens.

In addition, pray for Liz, too. She leaves Guatemala tomorrow bound for Manchester, then for Denver, where she's scheduled to present on climate change at the Snow Sports Industry Association Conference. May she get there safely and on time! Sorry for all the snow you all must deal with, while I bask in sunshine and 75-degree days here in Guate.

Miss you all. xoxo